One of the more unique aspects I found about Slaughterhouse-Five
was Billy Pilgrim’s flashbacks on Tralfamadore. Not only is he put on
display like an animal at a zoo, he also has a relationship with Montana
Wildhack, ultimately having a child with her on the planet. I was
really interested in hearing what other people had to say about this, so
I looked up an article called “The Psychiatrists were Right: Anomic
Alienation in Kurt Vonnegut’s Slaughterhouse-Five”.
It was by Kevin Brown, and Brown thinks that Billy Pilgrim is very
anomic, having no real social connections with the other characters in
the novel. It’s only in Tralfamadore where Billy can escape this
loneliness and become the center of attention. He can escape the
realities of Earth and war and enter a new place where is loved and is
part of a community. Brown also argues that Montana Wildhack pays Billy a
similar sort of attention, making Billy in charge of everything that is
going on “since Billy knows exactly what to do on Tralfamadore”. This
ultimately leads Billy and Montana’s sexual union and child.
Brown
believes that this imaginary world of Tralfamadore makes Billy all the
more egoistic because now that he has created this fictional world where
all his needs are met, he ceases to try to connect with anyone any
further. Billy isn’t the only one who experiences anomie. Many
characters like Edgar Derby, Roland Weary, and even the Vonnegut in the
novel himself experiences anomie (Vonnegut at the start of the novel
tries to reconnect with people of the past by telephone). Vonnegut,
Brown argues, wants readers to recognize how anomic alienation has
manifested in today’s society after WWII and wants readers to examine
their own lives. He hopes that Tralfamadore gives a good picture of a
world where people can truly connect with each other.
This
was definitely a fresh way to see Tralfamadore, and the idea of
alienation today can very well be seen in today’s world. Many of us are
much more individualistic, not having that sense of community values
that was once cherished. We focus more on our own survival and trying to
get through the next day. Of course there are charity and grassroots
groups that help out communities, but many of us have just lost touch
with the community. Vonnegut reminds us, through Billy, what it means to
be alone and wants us to try to make true connections with people.
Another article presented in fifth period yesterday suggested that Trafalmadore might be seen as a kind of "Eden" fanstasy for Billy--the single man and woman, naked, in a sealed-off terrarium, starting over in a "blank slate" cultural context (with the Trafalmadorians in a "God-like" position, controlling light and darkness and generally lording it over them, laughing affectionately at their foibles). This fits nicely with the idea that Billy seems somehow "ruined" for ordinary social life by his traumatic experience in the war, and the new planet serves as a kind of "starting over" for him (figured nicely in the war movie he watches backwards, which goes all the way back to the Garden of Eden).
ReplyDelete